All you J-Rockers out there will be rapt to hear that the Japan Music Festival is hitting up Australia with select venues in Melbourne, Sydney and Brisbane. So who’s coming out I hear you ask? Well, we have Jill, 101A, Kaimokujisho and Sparky Quano.
Looking at venues around Australia, here’s where you can catch up with all the action:
APR 03rd (THU) MELBOURNE – ESPLANADE HOTEL
APR 04th (FRI) SYDNEY – THE ROLLER DEN, ERSKINEVILLE
APR 05th (SAT) BRISBANE – RIC’S BAR
APR 06th (SUN) MELBOURNE – THE RETREAT BRUNSWICK
And if you want some more info on the artists, then look no further than below!
Eri is the singer and writer for this immensely popular band in the live circuit. She has a lifelong passion for the typical Japanese pop/rock anime music, which is becoming more popular throughout the world. The band take pride in writing original music but also include some of the more popular anime covers at their live show. From high-energy pop to lyrical ballads, Eri delivers her delicious vocals that you will not forget.
101A cross Grunge, Shoe-gaze and Industrial genres. Rough, heavily distorted instruments paired with delicate, melodic female vocals characterize their sound. They have written songs in a variety of styles; soft, melodic, cinematic pieces, bright, energetic, beat-driven instrumentals, sharp but brooding sounds paired with screaming vocals and gentle, expansive, uplifting ballads, each song conjuring a new scene, demonstrating the band’s unique style and striking individuality.
An intense sound akin to the 90’s rock pioneers Korn and The Deftones, Kaimokujishō have garnered a reputation on the Japanese live circuit as ‘Line-up destroyers’ because they have the uncanny knack of blowing the rest of the bands off stage regardless of their genre. Vocalist Natsumi’s almost improbable vocal range sails over an organic drum sound that in turn contrasts the nimble fingered guitarist, the resulting total of which is sonic overload on a grand scale.
A solo guitarist with a whole slew of pedals, Sparky creates everything including rhythm tracks and percussion from a single guitar. His instrumental rock pieces are haunting and progressive with occasional ghostly whispers, evoking images of intergalactic travel. His hands play percussively like a piano, churning out tribal beats and space-rock on a level never seen before.
For ticket info, click on over to japanmusicfestival.com.au