Tag Archives: music review

Review: Soul Calibur V OST

Before I start this, I just want to preface it by saying that I’ve never reviewed music of this kind before so bear with me if I start to ramble on ūüôā

Soul Calibur is game series with deep roots and a rich heritage, starting from Soul Edge in the arcades before being ported to the Playstation, right up to the latest incarnation in the series, Soul Calibur V. One thing that has remained a constant throughout the series has been the in-game music, or the soundtrack. But it’s in SC V that the music has really come into its own, thanks to the involvement and contributions of some of the heavyweights of the music world.


This soundtrack is literally a who’s who of the music scene with¬†Junichi Nakatsuru (Soul series),¬†Hiroki Kikuta (Secret of Mana),¬†Tomoki Miyoshi,¬†Andrew Aversa,¬†Cris Velasco (God of War series),¬†Inon Zur (Prince of Persia),¬†Jillian Aversa,¬†Eminence Symphony Orchestra,¬†Hiroaki Yura plus loads more taking part in the production, composition and/or performing of the pieces. The soundtrack is spread out on three discs with the first two discs containing themes for each character in the game totalling 28 in all with some amazing highlights coming to mind. In particular¬†Samsara: The Wheel of Eternity (Kilik’s Theme),¬†The Invincible Blade (Mitsurugi’s Theme) and¬†Venice Rooftops (SCV mix) (Ezio Auditore’s Theme).¬†This is not to take anything away from the other tracks as all the themes are absolutely exquisite conveying drama and the emotion behind the character. The instrument sections themselves from the strings to brass and percussions are at their best and show the experience and professionalism of the musicians.

The third disc is made up of the music that is played out during the battles and in-game cinematics which are breathtaking and a joy to listen to. Some highlights for me were¬†Home is Faraway with its sweeping sounds that take you away, Holy Requisition with beautiful choral arrangement and, the last three tracks of disc three deserve a special mention. These being The Last Wish, The Siblings’ Destiny and the amazingly sublime, The Breeze at Dawn. Jillian Aversa’s stunning ethereal vocals are laid out over an amazing composition that brings together string, brass, percussion with an amazing vocal arrangement. This track really gets me¬†every time. Jillian is a standout on this track.

The soundtrack comes spread out across three discs in a gorgeous box with an¬†impressive¬†booklet containing previously unseen artwork and a credits list while the three cd’s come bundled in two attractive cases. This soundtrack is nothing short of amazing for the fan and for someone just getting into the world of gaming music, this is a package that will whet the appetite and leave you wanting more.

Don’t wait any longer, hunt this soundtrack down and get it into your player. This recording is a testament to CIA, the Eminence Symphony Orchestra, Project Soul and everyone else who was involved. A world-class piece of music.

[starreview tpl=16] Absolutely amazing soundtrack that will transport you to new levels.

Review: G-Dragon “One Of A Kind”

G-Dragon, the eponymous leader of K-Pop super group, Bigbang, launches his second foray into solo territory with the release of, “One of a kind”, the first track released from his upcoming second album of the same name.

The amazing new track plays host to a thumping hip hop bass line with a gritty rap tone giving the listener a new insight to G-Dragon’s creative mind. This release is vastly different from, “Heartbreaker”, his first solo album which tended to stay within the safe confines of pop music. His collaboration album with fellow Bigbang member, TOP, also straddled this same line but with this release, we’re able to see how he has grown as an artist, experimenting with a new style which he manges to bring all together in an impressive package.

The track does bear some resemblance to early 90’s G-Funk sound pioneered by American stars, Snoop Dogg, Nate Dogg and Warren G, but that’s where the similarities end as the track takes its own path and never imitates those artists. The track is basically G-Dragon announcing to everyone his merits and how he’s a force to be reckoned with, here to stay. Ripping out lyrics such as, “Because I’m different, that’s just me”, “Because people go crazy over anything I do”, he knows the effect he has on fans. From his beliefs to his music and industry recognised fashion sense, G-Dragon acknowledges all this without sounding pompous, merely thankful for his status.

This track may take some people a couple of listens to get into but make no mistake, you’d be doing yourself a massive disservice by not giving this a go, this is G-Dragon in fine form creating new sounds with lyrics as only he can. If you watch the MV, another Bigbang member, Taeyang, makes a cameo appearance right at the end which is great to see.

“Because I’m different, that’s just me”, yes G-Dragon, he definitely is.

[starreview tpl=16]
Highly impressive first release from the eagerly awaited second album, get onto it! 

Review: Bigbang ‘Still Alive’

It was only a few months back that Korean boyband, Bigbang, released their comeback EP, ‘Alive’. Well, now the boys have released the Special Edition of that same EP called ‘Still Alive’.

So what are the differences? Is it better than Alive? Should you buy it? All these more and will be answered below.

First of all, this new EP shares the same massive hits as Alive, those being Blue, Bad Boy, Love Dust and the massive hit, Fantastic Baby. So for the purpose of this review, I’ll leave them out seeing as how they’re identical versions with no difference.

Still Alive

Still Alive started off as an intro track to the previous EP and only ran for just under one minute. I did at the time say that this had the potential to be a great track only if it were longer. Well, lo and behold, they’ve done just and released onto the album as a proper full length track and it sounds awesome. A great thumping beat over club drums give make this track standout along with an awesome rap from TOP, real stand out track. Nicely paced with a simple piano loop and unobtrusive synthesizer sounds round this off as a tight production.


The first track to be released, and at last count the MV has had over 2 million hits in 24 hours. And for good reason, this track is an absolute hit and demonstrates what the boys are capable of and indeed what an extremely talented lyricist and story teller that G Dragon is developing into. Easily the most mature track they’ve done to date, this track of a lost love and acceptance of a person is very well played out with a beautiful subtle orchestra in the background and a piano section over the entire length that is to die for. Beautiful, touching and very rare in today’s market to have such a heartfelt track with a traditional medium tempo beat laid over it. This is the track that will define Bigbang as more than a flash in the pan, this track proves they are here to stay and will only help to further define them. AAA+++


Another catchy dance track with a pulsating bass and a great vocal turnout from Daesung. Cool chorus with lots of finger tapping moments, simple without having to resort to over production and having loads of sound samples and effects in the background, Nicely done.

Bingle Bingle

Great track with a guitar driven riff, very easy to get into. More of a rock beat as opposed to a dance track but Bigbang cover their tracks as only they can and pull it off making it sound accessible to a mainstream audience. Try not to sing along to the chorus as well, it’s simple and very catchy.


An easy listening track with gentle vocals that plays on the dance track/pop song genre. Never fully committing to either but still comes across very well. Some might say that it maybe the weakest track on the album if they really had to choose but after having spent some time with it, it’s really begun to grow on me. Really smooth vocals from G Dragon and Co. help to keep this song on that tricky line but they pull it off in a seamless manner.

[starreview tpl=16]
Another stellar effort from Bigbang, this comes highly recommended and your ears will thank you!

Review: Bigbang ‘Alive’

EDIT: The new Bigbang EP ‘Still Alive’ has been reviewed and can be seen here!

After a one year hiatus, the boys from the Korean super boyband, Bigbang, return with a brand new EP that picks you up and makes you remember why this group is a force to be reckoned with.

Intro: Alive    
Thumping beats introduce the listener to the first track; a short track which instantly gets you in the mood wanting more and does so nicely with inviting vocals over a tight dance beat. This intro is good enough to be developed into its own song IMO

What can be said about this track that hasn’t already been said? I’ll give it a try. All the members present gentle vocals over an interesting blend of music fusing electronic beats, guitar and modern instruments. The song has a nice theme to it as well with an insanely catchy hook and a chorus that sucks you in overtime and has you tapping your finger or foot in time with the music every single time. As a launch single, absolutely awesome showing that the Korean super boyband is still capable of delivering the goods and does so with a sweet, unique style.

Love Dust
This is a great dance track with a fantastic electronic beat and a synthesised effect over some parts of the song. An amazing blend of drums with more great vocals by all the members pitching in, especially T.O.P. with his always catchy and undeniable raps in just the right places. The chorus‚Ķone of the best ever heard, this a track for those drives by the coastline with a setting sun in the background. Yes, it’s “soundtrack for your life” kind of song. This song needs a music video immediately.

Bad Boy
A song that will bring out the rebellious teenager in any girl, who can resist G Dragon’s smooth vocals over an infectiously catchy riff that borders on reggae style in some parts. The band continues their fusion of different styles that shouldn’t work but somehow they make it all come together. Part R n B, part reggae and all class. Will have you humming this song on the bus, at work or in class, it has that creep on you factor in a great way. T.O.P.’s chorus parts work extremely well with his gravelly voice while Daesung and Taeyang compliment the middle hook of the song beyond well before rolling back into the chorus as smoothly as you like.

Ain’t No Fun
An electronic intro with deep drum beats greets the listener here. One of the lesser publicised songs but still an amazing listen with no desire to skip the song at any point. The trance like quality of the vocals over the chorus is extremely well put together and helps to keep the song flowing nicely. This song will also benefit from a music video and some airplay by radio station and video shows. Has an almost 80’s feel to it but like 80’s brought into the today. Sounds great, plays nicely with more great vocals from the boys.

Fantastic Baby
Ok‚Ķthis song borders on the absolute ridiculous with how good it is. It is literally an album seller and is a dance floor filler. Electronic techno beats over sublime beats with one of the catchiest choruses heard in the last 10 years, yes it’s that good. G Dragon sounds at his best on this track with his ability to sing while making it sound completely effortless. Both Taeyang and Daesung provide the amazing vocals leading up to the chorus which are amazing, and the ‘Wow, Fantastic Baby’ vocal before each launch into the chorus is an absolute stroke of genius. Works beyond well and is a perfect example of a great dance track done right, a lot of artists and producers can learn from this example. So many sounds going on, you literally have to listen to it more than a handful of times to completely hear everything going on, all the samples, all the instruments, all the vocals. An aural delight.

The Daesung solo is great example of production done right with the vocal hitting all the highs in the right area and never going overboard. An extremely 80’s sounding chorus done right which I’m absolutely in love with being a huge fan of the 80’s. Daesung demonstrates a fantastic range with his vocals and carries this solo effort very well. Great hooks, clever sound samples with great use of classical instruments make this another dance floor pleaser.

In summing up, this is the kind of album that comes anywhere from once to three times in a band’s career. This album is also a fan converter meaning anyone open enough to listen to Asian pop music will become a fan, this much is undeniable. If anyone is sitting on the fence about picking this up, don’t understand why, but you must pick this up. Either go to the iTunes store and buy it now or buy a physical copy from your favourite importer.

It’s early in the year and there are tail other K-Pop artists to release their latest but I’m going on record right now and saying that will be extremely hard to beat and, I’m calling it, this will be the Asian Pop release of 2012. At the end of the year when they look back at the Asian releases, this will top lists everywhere. Yes, I love it beyond words, not a single track worth skipping or included as filler, the kind of album you’ll play through to the end and then start it again, believe. And really, the title tracks says it all, yes Bigbang, you’re still alive.

[starreview tpl=16]

5 out of 5 stars, you will buy a cd player just to play this, believe me!